Euzhan Palcy, director and screenwriter, born in Martinique, author, inter alia, Rue Cases-Negro (1983) – which gives a positive view of the black man – , recidivism by providing the Brides of Bourbon isle TV movie about the history of miscegenation.

Become fluent in French possession in 1642, the the -? We appoint the Reunion in 1793 – was sold by Louis XIV in 1664, the East India Company, which are then sent a commander and settlers to expand trade and agriculture.

Then orphans and prostitutes were sent there. It must be remembered that at that time, if slavery was allowed in the Carribbean, it was forbidden in the Indian Ocean. Natives and settlers married so no problem. “Initially, the story was on the white ancestors of Reunion. We wanted to expand about those who came from Madagascar, India and Africa, this mixed population who tried to live in harmony,” says Euzhan Palcy.

We are in the seventeenth century, Alix (Marie Piot, lovely), a young orphan, and Louison (C??cile Cassel, excellent), a former prostitute, with other companions leave the Salpetriere in Paris to populate the island Bourbon under the close supervision of Father Romand (Andr?? Penvern). Alix married quickly to a settler who will soon die while Louison, in search of respectability, becomes the governess of the Father Romand.

SON OF A SLAVE AND A COLON FRAN? AIS

The latter, realizing that the East India Company is led by a mestizo, the knight Jean Penmarch – Reunion version of the Knight of St. George, violinist and composer, son of a slave and a French settler ais, who was bailiff? (sort of prefect) of Guadeloupe at the same time – took power with the help of a rich racist owner, Blancpain Michel (Jean-Yves Berteloot). Alix is ??courted by both Penmarch and Blancpain, the power struggle is then coupled with a passionate conflict. Love, jealousy and duel, the drama will end in favor of the settlers.

This mini-series of two 90-minute episodes (end at 22 h 30), produced by Exil??ne Films, looks like a beautiful picture book. The scenery is stunning, some characters are endearing, as Mary (Sara Martins), married to a beautiful Malagasy brave settler French? Ais, Jules (Bruno Slagmulder). Aboriginals is “noble savages” fa? On Jean-Jacques Rousseau. A beautiful film about tolerance.

Euzhan Palcy – (France, 2007, 2 ?? 90 minutes). With C??cile Cassel, Andr?? Penvern William Nadylam, Jean-Yves Berteloot, Marie Piot …

We are in Rio de Janeiro. A h? Such anonymously without charm and without light. A day after the concert. A late breakfast. Hair Gaby Amarantos invent a bunch of festive flowers to prolong the night, do not dent the reputation of showman and diva. It does not force to make people laugh, shake a thousand hands, embrace anything-goes. In abrasive voice, she said, as immediately establish a framework to his sudden fame: “I am a woman of the periphery, where I come from, we are free.”

Gabriela dos Santos Amaral born in 1978 in Belem, in the district of Jurunas, one of the poorest and hard to the port city of Northern Amazon, it could become samba, like his parents, a fa? We liked t traditional out of the anonymity of the favelas. But in the black eye and voluntary mouth photos show a young girl as a teenager, dressed in bright white dresses or tight pink slips, there are already plans for a different future, the ambition to become important to break barriers with his music style tecnobrega – “techno vulgar” or “cheesy” in fran ais?. An individual and long despised genre, dipping into the roots of his native Para, Portuguese and African, Caribbean and Indian.

Consecration

She who was the revelation of Brazilian pop culture in 2012 was about to get, Monday, Feb. 11, on the giant star of a tank of a samba school in the northern districts of Rio …

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Following the series “Maraval”: the National Film Centre and the moving image (NCC) launched a study on the profitability of comfortable French initiative films to? request of the Minister of Culture and Communication. On January 24, during the conference on diversity of French cinema? Ais, Aur??lie Filippetti announced this initiative in response to the controversy created by the forum Vincent Maraval in Le Monde (29 December 2012). Distributor Wild Bunch denounced large seals some actors and directors stars, considered excessive for the operating results of the film. The study will be led by Greenwich Consulting firm. A steering committee composed of experts (Ren?? Bonnell, Alexis Dantec, Anne Flamingo, Colette Gervais …) will follow this work, and validate the methodology of the study. The steering committee will meet for the first time on 3 April to CNC in Paris.

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beautiful offering Internet download freely She spent many hours under the floodlights, this film, like all those he made, must be found in the dining room. Time experience – circular, infinite -, the whiteness of hallucinatory daydream that you entered does border of the mind and perception, they require that if indulged, which will be absorbed by climate which is diffused, which belongs only to them, where pins time and space are not the same as elsewhere.

The new edition of Festival Theatres cinema, which runs from 3 to 14 April at the Magic Theater in Bobigny, offers a unique opportunity to dive deep. Programming full of his films, which could stand on its own, is advantageously extended by two related retrospectives.

The first is devoted to the Zanzibar group, which group participated between 1967 and 1972, the likes of Pierre Clementi, Bernadette Lafont, Deval Patrick, Jackie Raynal and in which Garrel realized some of his best films (Marie for Memory, The Bed of the Virgin, The Inner Scar …).

The second brings the films of his father, that was a wonderful actor Maurice Garrel, disappeared in May 2011. The resulting between the works? Between the trajectory dialogue provides an eloquent insight into the unique way the film by Philippe Garrel makes a world from an extraordinarily intimate material world whose origins are inscribed in myths immemorial (those of the Bible above all) and whose trajectory comet extends well beyond the life of its author.

If oeuvres is divided into two parts, the first avant-garde under the influence of wind of revolt in May 1968 the father and cruel disappointments that followed, pierced by the experience of hard drugs, electroshock, death relatives (Jean Seberg, Jean Eustache, Nico …), and a second that starts with L’Enfant Secret to turning much more classic 1980s in its narration, it does not form a whole text.

And it is not unreasonable to consider the Zanzibar group, whose memory has never ceased to irrigate, and Maurice Garrel, who lives start to finish as an actor, as both p? The dialectics for the reseal.

The concepts of line, transmission, even reincarnation are very crucial in this filmography that could be described as Proustian. They also explain the place, major, what took her son Louis. “This is filming three generations at once that is released from the weight of one,” explains Philippe Azoury in Philippe Garrel, in essence, just test para? Be published by Capricci (254 p., 19 ?).

Result of a back on the job for years, between the critic and filmmaker films every day dialogue, the book stalking, rehashing, analyzing the reasons for the out at from different points of entry each time revealing over the pages secret bays that connect, drawing filigree incredibly complex crystalline canvas they eventually form.

This very personal diving for which the author is equally at home painting, psychoanalysis, poetry, music, film … provides a valuable counterpoint to the impressive amount of texts, historical and unpublished, gathered in the beautiful festival catalog, qu’enrichiront again, no doubt, many meetings in the event program.

Philippe Garrel present many sessions, usually with his actors. On April 6, in a masterclass, it will interact with public Philippe Azoury.

Magic Cinema. Mall Bobigny 2, rue du Chemin Vert, 93000 Bobigny. Tel. : 01-41-60-12-34. On the Web: www.theatresaucinema.fr….

According to information published Saturday, January 5th in the Swiss newspaper Le Temps, France has clamped down against its tax exiles in Switzerland, with a new statement issued the day of No? l, which could have serious consequences for the Frenchman settled in Confederation.

According to this text, published by the Directorate General of Public Finance, France no longer give the benefit of the double taxation agreement for Frenchman intall??s Switzerland and paying a tax package “plus”. This practice existed yet for 40 years, writes Le Temps, “under an agreement between France and Switzerland.” Specifically, this tolerance, introduced in 1972, was abolished from 1 January 2013.

A VERY ATTRACTIVE TAX PACKAGE

The measure affects tax expatriates who continue to have a job in France or will receive dividends but do not pay them to imp? Ts because they were considered tax domicile in Switzerland. To qualify for this, they agreed to pay imp? Ts in Switzerland, paid as a lump sum taxation, with an increase of 30%. In exchange, the Swiss tax authorities delivered them their proof of tax residence, allowing them to benefit from the agreement Franco-Swiss double taxation signed in 1966.

With this document, the Frenchman was considered domiciled in Switzerland and therefore pay less imp? Ts in France. Thus, he paid only 15% imp? Ts at source in France on their dividends, instead of 30%, when we do not benefit from the double taxation agreement.

End of 2010, Switzerland had 5,445 foreign residents multimillionaires benefiting from the tax package, a very advantageous for them sytem, ??including 2000 Frenchman. Strongly criticized by neighboring countries for this system, Switzerland has decided last year to tighten the conditions of this package, increasing the amount of imp? T.

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“I will never come back to power again. It’s over now,” confided Charles de Gaulle Maurice Schumann, former spokesman of Free France and MP MRP came visit him in early February 1958. Two months later, on April 15, it was the crisis. A twenty-second since the birth of the Fourth Republic ministerial crisis like the others, the Assembly regime in 1946. ? Before Fran ais jaded, indifferent, the chiefs of parties, as usual, chanted: “The situation is serious, we must act, time is running out”, while remaining strictly on the spot, wading through the chicanes, exclusive and quibbles. It was a “new man” was not it around Pierre Pflimlin, President of MRP already called three times and never invested?

Throughout the week, with the exception of a handful of followers, no one had publicly suggested the name of General de Gaulle. Removed Colombey (Haute-Marne), he left once a week, on Wednesdays, for the small office he retained rue de Solferino, Paris, the general wrote his memoirs, away of public life. However, as and when the situation worsened, the hermit was more Colombey requested. Depending on his mood, according to the news, according to the speaker, the general was more or less suspicious, more or less discouraged. A Mr. Schumann, who brought him disillusioned reflection mentioned in the first line of this article …

The scene takes place in the living room of an h? Such luxury, rue des Beaux-Arts in Paris. The admission staff, it’s been ages as velvet chairs has not received much buttocks or amortized as many decibels. Gradually covering the “clink” cuts and flute your, Holden takes instruments arranged in the lounge. In this Dec. 3, 2012, the trio played, in order, and for the first time in public, the songs from her new album, daze. “I hope you like it, but if this is not the case, it will not prevent the disk to arrive in your bo? Your mailbox!” Warns the singer, Armelle Pioline.

The hundred spectators smiled. If there is that they have all through the website KissKissBankBank.com, helped finance daze. In total, 15,000 euros were collected. “We would have released the album no matter what, but this money has allowed us to save in good condition, pay all our employees, press – for the first time in our career – vinyls, to use at a press …, “said Armelle.

This rout h? Telier is one of the many privileges Holden has reserved its 163 contributors. Some offered only 5 euros, others went up to 2000. In return, according to the amount of their donations, they re? U lots ranging from a collector version of daze in a case of high-Medoc “Chateau Holden”, along with a painting of the album cover and even for the most profligate, a trio concert apartment.

Before embarking on the adventure of Armelle? overcome the reluctance of Mocke, guitarist: “He felt that it was like the handle!” Stunning is the fifth album of the band since its formation in 1998. This is the first that produces and distributes its own, away from the music industry. A CD version, drawn in 3000 copies, will join record stores on March 1st. “Without this fundraiser, we would probably indebted to remove the disk, said Armelle. Several musician friends as JP Nataf and Jean-Louis Murat, congratulated us for our courage. Some even reluctant to take the plunge. For my , I know I’ll start. ”

Exponential Growth

In fact, the crowdfunding (literally, “crowd funding”) recorded an exponential growth since the first dedicated sites have emerged in 2007. According to a study published in May 2012 by Crowdsourcing.org, nearly $ 1.5 billion (? 1.12 billion) was raised in 2011 on the 450 platforms in service around the world, including more 837 million in North America. The total funds raised has created? 72% in 2011, according to forecasts Crowdsourcing.org, rising be around the 91% in 2012. As for the Frenchman, nearly 37% of them, according to the 2013 book of the CSA institute studies, they are “ready” to invest in a site like this.

If the crowdfunding today irrigates areas as diverse as health, environment, journalism, science or humanitarian, culture continues to play in the matter, a leading r – like ‘illustrated in May 2012, the pot collected by the American rocker Amanda Palmer: $ 1.2 million in just thirty days, record to beat.

Frayed at the turn of the 2000s, the crisis of the disc and the rise of mass downloading, the music industry was one of the first to demonstrate that, on the Web, mingle bags nodes and good strings, in other words, the Internet is both the problem than the solution. In 2004, the Frenchman Louis Philippe, tired of scrapping against bloodless labels, did not hesitate to draw upon his fans via his website, to produce and distribute his tenth album, The Wonder of It All.

Barrage of criticism

Three years later, the first crowdfunding site hexagonal, MyMajorCompany.com, opened shop. To date, forty musicians have reached the required by the EU label gauge – 4000 ? 200 000 depending on the project – to remove a disc. Despite the undeniable success, if not aesthetic, at least commercial (Gregory, Joyce Jonathan, Irma) MyMajorCompany towel these days a barrage of criticism.

In October 2012, the National Union of Phonographic Publishing (SNEP) was excluded from the Top 50 album Baptiste Giabiconi, under the pretext that it was sold almost exclusively on discount sale-priv??e.com site. The soup union? Onnait including marketing teams MyMajorCompany operate massive purchases of CD to raise the buzz. “We did not buy any disc Baptist contends Micha? The Goldman (son of Jean-Jacques), the founder of MyMajorCoompany. I open the accounts of the company that wants to check it. Reality, c is that sale-Priv??e.com and the music industry at war. It became their battlefield … the Parc des Princes one night PSG-OM is was. ”

Their heart tee, nearly a thousand “co angry” met on a website and a Facebook group. They brocardent jumble opacity MyMajorCompany expenses incurred by the repeated postponement of several record releases and too low returns on investment per? Us by subscribers, some up to compare the financial package to each ? do Ponzi.

“There are plenty of things that did not work, recognize? T Micha? L Goldman, which issued a right of reply on the site of Point. Some co, minority, were very disappointed us not to live the human adventure they had hoped. They felt invest between EUR 100 000 over an artist via MyMajorCompany and invest 10,000 euros from the same artist with their friends, the media and business income would have been about the same. They are partly right. However, failures have never been the result of a dishonest or malevolent organization on our part. Duty inventory, we do it willingly because it is like? has the crowdfunding grow . But we must stop caricaturing our balance sheet MyMajorCompany, these are extraordinary success, creating a model of great and virtuous funding for creative industries, no trials in five years of existence … ”

Do it yourself and peer-to-peer

“MyMajorCompany merely reproduce, on the Web, the operation of the conventional industry, where its current difficulties, we strive to hack the system, not duplicate, analysis Vincent Ricordeau for its part, the KissKissBankBank boss. When was launched in March 2010, our models were not Universal, but the diy punk and peer-to-peer early hackers. This is not to bet ? like the casino, the success of an artist, and hope hypothetical returns on investment, but to be the creation na In our counterparties are symbolic donations or in kind, not financial.; users are not co-producers, but co-creators. As artists, they are owners of 100% of the publishing rights, which is not always the case with our competitors. ”

To date, KissKissBankBank, which employs six employees, boasts 3 million raised since its inception. Like most platforms, the company is financed through a commission, ie 8% of each collection completed. To grow, it relies on partnerships, such as those recently established with La Banque Postale, Capa or MK2, but especially on diversification: an English branch has been created, and music coexist here with a dozen other disciplines from photography to the performing arts.

Same story of heart tee competition. In two years of existence, has already Ulule.com funding projects in 1550, without discipline or aesthetic barriers: “We accept all types of projects, says Mathieu Mayor Poset, director of communication projects and our website r.? it is to help each creative potential to meet the community, without judgment on the artistic quality of the project. Ulule.com on, projects that would have existed no matter what, with or without crowdfunding, are a minority. ”

MyMajorCompany that displays 13.3 million euros raised since 2007, put it also, now, the all-round development. These days, the site encouraged visitors to co carte blanche comedian Fran ois Morel in the theater of the nursery, or to co-finance the restoration of the Pantheon – the subscribers receiving in return for mentioning their name to the entrance of the Parisian monument.

The cinema is not left

Despite the sophistication and severity of its budgets, the French cinema? Ais is no exception. At the recent controversy over its funding system, few to have brandished map crowdfunding. But platforms like PeopleForCinema.com or TousCoProd.com contribute for several years, production and distribution of short and feature films.

Certainly, it is far garnered investments overseas, where the culture of philanthropy is as perennial as is, with us, the public subsidy. According to the November 2012 Cahiers du Cinema, “10% of the films shown at the Sundance Film Festival” last year raised funds on KickStarter.com, the leading U.S. platform. The monthly average amounts referred to 6000 dollars, and cites the example of promising feature films Matt Porterfield (Putty Hill), Marie Losier (The Ballad of Genesis and Lady Jane) or Adam Leon (Gimme the Loot).

If the “indie” are the primary users of this system, Hollywood also began to take the game Erotic Thrillers (The Canyons, Paul Schrader, from a screenplay by Bret Easton Ellis), animation (Anomalisa of Charlie Kaufman) or musicals (Gold Help the Girl, Stuart Murdoch, the singer of Belle & Sebastian), the amounts so blithely exceed 000,100 dollars, reaching 441 thousand dollars for The Goon, an animated co by David Fincher.

Nothing as yet in Europe, but investments collected on PeopleForCinema.com allowed Poliss, Ma? Ween or Habemus Papam, Nanni Moretti, to complete their financing plans. To balance the budget in his documentary The Golden Sleep, released in September 2012 in three copies, the young filmmaker and producer Davy Chou raised 10,000 euros on TousCoProd.com: “With this money, we could fill the gap left by using the post of the Ile-de-France, on which we had and finally got away. ”

Mouth-to-mouth

But crowdfunding is not just an accumulation of euros or dollars. Gone from being a spectator to actor integral part of the project, each subscriber becomes a press momentum. “This aspect of crowdfunding is a bit overstated, but it is true that our campaign TousCoProd.com generated positive word-of-mouth around the golden Sleep on social networks. This can be played at output, albeit modestly. ”

This is the uniqueness of crowdfunding: each project, its business model and its communication strategy. The amounts are set in advance, the deadline for the collection too. On average, two campaign fails to raise funds within the allotted time. From this follows one of the main criticisms leveled at these sites: they tend to favor projects well “inlaid”. Big names already enjoying a solid fan base, movies “big issues” and “pitches touts” musicians marrying public expectations and the time would be easier acclaimed as, say, the creation of radical demiurges solitary and ascetic. According to this analysis, the crowdfunding accelerate the transition from a supply to a demand economy: once constraints anticipate the needs of the consumer, and thus innovation, cultural industries would seek more than satisfy .

“Third Industrial Revolution”

Nay, replicate crowdfunding supporters, led by the American economist Jeremy Rifkin. For them, the digital age is a phase of creative destruction, fostering the emergence of a “third industrial revolution” based on sharing and circularity. At the age of the property, materialistic, succeeds the age of access, collaborative, Homo economicus, utilitarian and rational gives way to Homo empathicus, altruistic and connected. Breaking the intermediaries between the artist and his public, crowdfunding would, in the words of Rifkin, one of the symptoms of this “empathetic impulse” accelerating “our transformation into fully formed human.”

Rue des Beaux-Arts, spectators rush to the exit of Holden concert. Among them, the singer Wilfried *, who dream to be financed by the crowd his upcoming tour, has a keen look at this way of barter 2.0 “Crowdfunding is based on a simple idea that good: the public gives credit to the artist, in a financial sense, but also moral of the term. ” It is the merit of this innovative financing method, in short, that remind us of some basics: the economy is primarily a matter, not of growth, but of belief.

flair, sense of timing, the art of pitch. While some were unaware that Vincent Maraval allied in magical proportions three qualities that make a good seller, the noise caused by the article published Dec. 29 in Le Monde under the title “The French players? Ais are overpaid!” it has given them.

In this text, the co-founder of Wild Bunch, co-producer and seller of movies, denunciation? Have the absurd level of remuneration enjoyed by a handful of French actors? Ais (Dany Boon in mind, which would have affected 3.5 million euros’ The Perfect Plan for a furnace at the box office) to point the finger at a larger problem with the profitability of domestic films and failures at work in the distribution of public money. Provoking strong reactions among both artists in the financial, as well as the heart of the commercial and in the independent film community, it caused a shock wave of a magnitude rarely felt in the middle.

The heart tee dissatisfied, we deplore the method. At Arte as at Canal +, we say shocked by the heart tee informer text, stigmatization of certain players. Producers do not have all enjoyed either, as Manuel Munz, to whom we owe the truth if I lie 3, a film that Vincent Maraval said the poor results. It recognizes? T however his players and himself, have never won so much money with this film, even though its results rooms have disappointed u. Others dispute the approximations of the text against him many French movies? Ais worked well in 2012, and even those that incriminates (Asterix, Marsupilami, 80 Stars, Lords) can be considered profitable regarding their future career in television and video.

“MARAVAL IS FURIOUS BECAUSE HE LOST A LOT OF MONEY.” Marie Masmonteil, producer

“Maraval is furious because he has lost a lot of money,” says the producer Marie Masmonteil, reminiscent of a Wild Bunch has invested money in most of the films he cites. The producer regrets that the text above suggests that the system of public funding is a huge mismanagement while “except Popular and Asterix, which were pre-purchased by France T??l??visions, these films are financed only by private money. Given the current climate of hatred of the wealthy, with the current left is not at all favorable to French cinema? ais, this forum could have effects against highly-productive “.

Critics of the founder of Wild Bunch do not recognize text, like all those who are enthusiastic about helping his blood, he put his finger on a real problem. “Twenty years ago I was in the prod says an executive producer. I saw pass above the line [remuneration of producers, stars and directors], 15% -20% 35% -40% recent years. Sometimes even the financing of major players was negotiated before the budget is established. It only has to do with what remains. So we attack the artistic, wages team, the shooting time … ”

Salaries headliners are the most visible of inflation that affects both wage producers, those technicians, co? Ts manufacturing part … It is all the more worrying as it is coupled with a stagnation, and probably a contraction future sources of funding: minimum guarantees paid by distributors, international sales, video editors, decreased . As tax loopholes, the Soficas were weakened. And various threats loom: the extension of the collective agreement to the entire area that could cause, among the most vulnerable, an inflationary shock project the increase in VAT on cinema tickets, which may pass 7% to 10% in 2014, the budget of CNC punctured, year after year, by the state, the increasing pressures of Brussels … Not to mention the contribution of each donkeys television that competition from new entrants in the TNT, and especially the Internet, will reduce the longer term (the obligations of each donkeys are proportional to their number of business).

The situation is especially feared a greater polarization of French cinema? Ais between rich and poor. As such, the notion of the average budget (? 5.4 million) used by Vincent Maraval to emphasize the co t of French movies? Ais is probably not good. It’s rather t from the median budget should be thinking: 3.7 million euros. As noted producer Gilles Sandoz, “the budget of copyright movies in recent years is pleased t between 1.5 and 2.5 million euros. Needless to say that these levels are not overpaying the actors “.

“MUST ENSURE THAT MONEY INVESTED IN A FILM FROM BEING THE SCREEN to!” Bertrand Bonello, director

In the middle, the artistically ambitious films that cater to a wide audience, including those Pascale Ferran had the heart of his thinking with the Club 13 are caught. Without doubt this is the reason why filmmakers like Patricia Mazuy, Olivier Assayas and Bertrand Bonello support the text of Maraval. The author of Tolerance, which is now preparing a biopic of Yves Saint Laurent, says Vincent Maraval “is right to say that the French cinema? Ais is too expensive. Why Americans are they crazy movies 2 million, while we are actually equivalent to 4 million, and more? has not seen? ” It is the producer’s responsibility to fight, says Bertrand Bonello, to keep wages at reasonable levels: “We must ensure that the money invested in a movie channel on the screen This requires! to think otherwise. work days of eight hours in the cinema, for example, this is nonsense. Working eleven hours, the duration of filming and would reduce the co t of films. ”

Reflection echoes that filmmaker Yann Le Quellec, CEO of Soficas Cin??mage on the problem of profitability movies and revenue breakdown: “Make cheaper movies where everyone is paid reasonably upstream and interest in future profits, may be in the interest of everyone, but in the system as it works, it is impossible.’s blockbusters where the stars are hyperpay??es where producers if they overfund know the film, benefit greatly (by granting 12% of the salary budget producer and overheads), nobody wins on the profits of the film because there is no profit. And everyone known at the outset. It is normal that the players want to be paid in advance. they have interest to be paid later, we have to impose transparency on revenues and their distribution. ”

The forum Vincent Maraval has the merit of revealing the entire industry, in reality, is engaged in this discussion, and that professionals are prepared for many of them to sit around a table to discuss. All of which leads to Juan Branco, Aur??lie Filippetti adviser during the presidential campaign (not extended), which had developed it with a program of reform of the system for cinema, this is a test platform for the Minister culture: “We knew very well that nothing that we had developed could not be done without the support of the film industry if the Department has any ambition in terms of cultural policy now is. may initiate reforms. ”

Read forum Vincent Maraval: The fran ais players are overpaid!

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Who emerges victorious international market in music and music publishing (Midem), which ended in Cannes Tuesday, January 29 at night? Midem first resistant to the crisis despite a decline of 7% in terms of attendance compared to 2012. But the 6400 participants honored their contract: to vibrate against all the recorded music industry, but changing disaster.

TF1 and NRJ then continues to break audience records for the NRJ Music Awards. The fourteenth edition, airing Saturday, January 26, attracted 6.4 million viewers, a 31% market share. Better yet, the television has made 69% of market share in the 15-24 age group.

Does this mean that the French youth? Comfortable developed a bad taste t such that it can only agree to the British boy band One Direction, a manufactured product that has achieved a unique feat since the Rolling Stones, namely occupy the top of the charts in the United States, while it is not American? Maybe. But youth is critical, and can look commenting. Psy? Bad. It’s a bit like watching the freefall Felix Baumgartner, 39 045 meters in New Mexico, all? Has what? Emission young, yes, but capable of uniting inviting Myl??ne Farmer, Patrick Bruel and Johnny Hallyday.

SEXION ASSAULT

Aur??lie Filippetti ranked its priorities for 2013 more exposure to music in the audiovisual media. She will meet, she promised to Cannes, at the earliest, Olivier Schramek, new president of the CSA in this regard. But officials television programs continue to say that the music segments that Nikos beautiful hooting, the mom who loves Patrick going to hate Chris Brown, whose teen is a fan, and vice versa. This leads to appoint Mr. Pokora male artist of the year. The Grammy (vote profession, broadcast on France 2 on February 8) are pleased t look to M, Dominique A, Benjamin Biolay. Another register.

Other winners of the seven members of Chris Brown (they were eight, but Lefa, the handsome, the spokesman, has turned his back on fame to devote to meditation). Parisian rap group has won trophies: best song of the year Grand Prix SACEM with Before she leaves, ode to Daronne, which frankly is not on top of their talent entertainers aware (Socially , if not politically) best French song of the year for the NRJ Awards, and Best Group, pending victories which they are appointed in equal categories.

Winners always, Chris Brown among the top record sales of 2012, released by the National Union of Phonographic Producers (SNEP), on January 27 in Cannes. They are in third position after the British Adele, world champion two years in a row with her album 21, and without waiting for Celine Dion, decidedly beloved of Frenchman.

WINNER, WINNER YET

Chris Brown may be required to wear brand suits for the ceremony of the NRJ Awards, they have sold more than 600,000 copies of The Apogee (watib / Sony). Nolwenn Leroy fifteenth Coldplay twenty-ninth, Booba hundred and sixty fourth (but Autopsy album Volume 4 was released in the end of the year, such as Celine Dion for that matter).

The album the most downloaded in 2012? The Apogee Chris Brown before Born to Die by Lana Del Rey, Adele again, Birdy and C2C. The radius of singles, according to SNEP, here is the Brazilian Michel Telo, with dancing and jerk Pego Someone Like You (“If I catch you,” addressed to a reclining girl). Most broadcast radio? Somebody That I Used to Know, Gotye (Gauthier), Belgian-Australian to the dr? Of the mouth. Every innovation is a surprise. Meanwhile, Rihanna Diamonds ranks first in sales for eleven weeks. Final results in 2013.

Challenge Magazine ranked Johnny Hallyday at the forefront of French artists? Ais Hit the most money in 2012, around 7 million euros before Myl??ne Farmer. Affected is not won in principle must be deducted imp ts, ts co production, etc.?. To renew, you will have to dig your brains. So, here are some other winners: Midem, who created the MidemNet in 2000, fully integrated in the digital market, and therefore deleted in 2012.

We exchange records and information in Cannes, but we’re also thinking about the future. The midemlab, for example, has created a competition for the most innovative companies; category “Music Discovery”, “the winner is” Songful instruMagic of an Israeli start-up that worked how to enable each of us to play guitar on an iPad. Category “Marketing and Social Engagement”: the winner is Jamplify, an American website that “amplifies the buzz” via fans of artists; category “Direct-to-Consumer Sales and Content Monetization”, even Americans, those StageIt, an Internet platform that allows artists to give concerts when they want via their webcam.

Finally, the Midem offered a “coup de heart” Fleur Pellerin, French Minister? Ease of the digital economy. She chose Audience.fm, which attempts to create links between artists and their fans, a credo for the minister.

Families of Frenchman kidnapped in Mali were re? Wheels Friday, April 5 in the afternoon at the Elysee by Fran? Ois Hollande, who reiterated his determination to secure the release of captives. The head of state has particular re? U around Philippe Verdon, removed in November 2011, and whose death was announced last month by the Al-Qaida in the Islamic Maghreb (AQIM). The president said “its willingness to do everything possible to get reliable and credible information on the situation,” said the Elysee Palace said in a statement.

According to Le Parisien, Philippe Verdon “died as a result of an illness he had contracted before his abduction.” This is what would be convinced the French intelligence services? Ais after listening to the conversations of the jihadists. AQIM announced having executed in retaliation for the French Intervention comfortable? Mali.

“This is the conclusion that Jean-Pierre Verdon, the father of the hostage, was taken from his interview with Fran? Ois Hollande yesterday at the Elysee,” the newspaper said, adding that the hostage was suffering “of a double stomach ulcer and hyperventilation “and” was already not in good health when he was kidnapped in November 2011 and would d? continue to follow several treatments during his captivity. ”

FOUR OTHER HOSTAGE FRAN? AIS IN WEST AFRICA

Last week on France 2, Fran? Ois Hollande had said Philippe Verdon “could be dead.” “I have no proof, but (…) we unfortunately elements that lead us to think that he could be dead, he said. Whatever we had interceptions as such information, let us pleased t think he would have been killed. ”

Fourteen other French hostages? Ais are held in West Africa, including a family of seven with four children in Cameroon recently removed and taken to neighboring Nigeria. France is committed from January to Mali in the Serval operation to oust the Islamist rebels.

Fran? Ois Hollande announced last week that the French contingent? Ais Mali to happen more than 4000 soldiers today men in July 2000 and a thousand at the end of the year.

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